The Angels Have the Phonebox: January 2012

Tuesday, January 31, 2012

Sunday, January 29, 2012

Capitan Alatriste: Limpieza de Sangre

Campo dei Fiori

In Rome on the Campo dei Fiori
baskets of olives and lemons,
cobbles spattered with wine
and the wreckage of flowers.
Vendors cover the trestles
with rose-pink fish;
armfuls of dark grapes
heaped on peach-down.

On this same square
they burned Giordano Bruno.
Henchman kindled the pyre
close-pressed by the mob.
Before the flames had died
the taverns were full again,
baskets of olives and lemons
again on the vendors' shoulders.

I thought of the Campo dei Fiori
in Warsaw by the sky-carousel
one clear spring evening
to the strains of a carnival tune.
The bright melody drowned
the salvos from the ghetto wall,
and couples were flying kites
high in the cloudless sky.

At times wind from the burning
would drift dark kites along
and riders on the carousel
caught petals in midair.
That same hot wind
blew open the skirts of the girls
and the crowds were laughing
on that beautiful Warsaw Sunday.

Someone will read as moral
that the people of Rome or Warsaw
haggle, laugh, make love
as they pass by martyrs' pyres.
Someone else will read
of the passing of things human,
of the oblivion
born before the flames have died.

But that day I thought only
of the loneliness of the dying,
of how, when Giordano
climbed to his burning
he could not find
in any human tongue
words for mankind,
mankind who lived on.

Already they were back at their wine
or peddled their white starfish,
baskets of olives and lemons
they had shouldered to the fair,
and he already distanced
as if centuries had passed
while they paused just a moment
for his flying in the fire.

Those dying here, the lonely
forgotten by the world,
our tongue becomes for them
the language of an ancient planet.
Until, when all is legend
and many years have passed,
on a new Campo dei Fiori
rage will kindle at a poet's word.

---Czeslaw Milosz

Saturday, January 28, 2012

Emma Kirkby, Handel - Messiah, But who may abide

Lascaux

Pamela Colman Smith

Friday, January 27, 2012

Montségur: Digit et lingua demonstraremus

Wednesday, January 25, 2012

White Wells, Ilkley, Yorkshire

Sunday, January 22, 2012

Françoise Hardy- Il N'Y A Pas D'Amour Heureux

Gundestrup Cauldron

Who among you will run with the hunt?

---The Doors

Saturday, January 21, 2012

The Soul of the Rose

COME into the garden, Maud,

For the black bat, night, has flown,

Come into the garden, Maud,

I am here at the gate alone;

And the woodbine spices are wafted abroad,

And the musk of the rose is blown.

For a breeze of morning moves,

And the planet of Love is on high,

Beginning to faint in the light that she loves

On a bed of daffodil sky,

To faint in the light of the sun she loves,

To faint in his light, and to die.

All night have the roses heard

The flute, violin, bassoon;

All night has the casement jessamine stirr’d

To the dancers dancing in tune;

Till silence fell with the waking bird,

And a hush with the setting moon.

I said to the lily, “There is but one

With whom she has heart to be gay.

When will the dancers leave her alone?

She is weary of dance and play.”

Now half to the setting moon are gone,

And half to the rising day;

Low on the sand and loud on the stone

The last wheel echoes away.

I said to the rose, “The brief night goes

In babble and revel and wine.

O young lord-lover, what sighs are those,

For one that will never be thine?

But mine, but mine,” I sware to the rose,

“For ever and ever, mine.”

And the soul of the rose went into my blood,

As the music clash’d in the hall:

And long by the garden lake I stood,

For I heard your rivulet fall

From the lake to the meadow and on to the wood,

Our wood, that is dearer than all;

From the meadow your walks have left so sweet

That whenever a March-wind sighs

He sets the jewel-print of your feet

In violets blue as your eyes,

To the woody hollows in which we meet

And the valleys of Paradise.

The slender acacia would not shake

One long milk-bloom on the tree;

The white lake-blossom fell into the lake

As the pimpernel doz’d on the lea;

But the rose was awake all night for your sake,

Knowing your promise to me;

The lilies and roses were all awake,

They sigh’d for the dawn and thee.

Queen rose of the rosebud garden of girls,

Come hither, the dances are done,

In gloss of satin and glimmer of pearls,

Queen lily and rose in one;

Shine out, little head, sunning over with curls,

To the flowers, and be their sun.

There has fallen a splendid tear

From the passion-flower at the gate.
She is coming, my dove, my dear;

She is coming, my life, my fate;

The red rose cries, “She is near, she is near;”

And the white rose weeps, “She is late;”

The larkspur listens, “I hear, I hear;”

And the lily whispers, “I wait.”

She is coming, my own, my sweet;

Were it ever so airy a tread,

My heart would hear her and beat,

Were it earth in an earthy bed;

My dust would hear her and beat,

Had I lain for a century dead;

Would start and tremble under her feet,

And blossom in purple and red.

---Alfred, Lord Tennyson

Albert Einstein Connecting to the Cosmos

"Mozart's music is so pure and beautiful that I see it as a reflection of the inner beauty of the universe itself." ---Albert Einstein

"Whenever he felt that he had come to an end of the road or faced a difficult challenge in his work, he would take refuge in music and it would solve all his difficulties. His appreciation for music, and especially for Mozart, reflected his feeling for the harmony of the universe. Music, Nature, and God became intermingled in him in a complex of feeling, a moral unity, the trace of which never vanished." ---Walter Isaacson